8/24/2023 0 Comments Garamond typeface designerThey also were more decorative than those modeled directly from the hand. These letterforms were thinner and more delicate than those before it, which both allowed the ink to bleed on the page without overly distorting the words and used less ink. He was the first to deviate from a purely handwritten-style to make letters that would read better when printed. Garamond was the first to craft letters to the medium. Prior to Garamond’s work, the practice of making type was to make as exact as possible replicas of a scribe’s handwriting. While seeing the differences between many of the old-style typefaces today can be hard for the untrained eye, it is important to note the true significance of Claude Garamond’s place in the history of type. Some are modern interpretations, some are recreations of typefaces from the late 1500’s modeled after the original punches and a few are faithful modern recreations based on the original punches. It should also be said that not all of the Garamond’s in the world are the same. After his death, sets of his punches found their way into the hands of foundries and served as inspirations for many different typefaces in addition to the many variations of Garamond. The original punches, long slender metal rectangles with individual letterforms carved into the ends, were finely-tuned and perfected during the early to mid 1500’s up until Claude’s death in 1561. What we now know as Garamond are modern interpretations of fonts that were inspired by drawings which were modeled after the punches of Claude Garamond. Named for the French punch-cutter Claude Garamond, the typeface in its current form has a foggy past. Like David, Garamond came quietly into the world yet has been a marker to which everything that has come after it is measured. It is elegant while never feeling overly ornate or showy.Ĭlassic and classy, Garamond has maintained a high level of admiration and continued use that is very unlikely since it pre-dates all other typefaces. Reading its beautifully imperfect letters feels like reading a renaissance manuscript. It puckers and bloats in delicate ways like ink swelling within paper fibers. Even in today's digital forms, Garamond evokes the hand. It is a timeless masterpiece created by a classical craftsman and to this day is a cherished piece of history. Garamond is Michelangelo's David to the type world. 8 (Garamond.Contact Copyright © 2013-2022 Jonathan Cunningham. Other open source versions are EB Garamond (Google Fonts) and Garamond No.Cormorant is a free typeface by Christian Thalmann, and partly inspired by Claude Garamond’s work (Google Fonts).Some examples of how Garamond is used on the web (Typewolf).Other well-known applications of Garamond include Abercrombie & Fitch’s logo, and a condensed version created by Apple and used in their “Think Different” campaign (check out the header image above). Garamonds can also produce interesting pairings with more contemporary sans-serifs, adding character to a design for many years, UK newspaper The Guardian paired Garamond Italic with Helvetica in its masthead. thin), make them quite technically suitable for web use. Their open and relatively geometric letterforms, substantial stroke weight and low stroke contrast (thick vs. While Garamonds have long been favorites of print designers, they have also become increasingly popular on the web. 8, and EB Garamond.Īlthough similar to other old-style typefaces like Jenson and Bembo, Garamond can be distinguished by its particularly open and friendly feel, as well as by a few typographic details, like the bowl of the uppercase P not meeting its stem, and the very vertical inclination of the lowercase j’s tail: There are also a number of free open-source versions of Garamond, including Garamond No. Many of the big type foundries-including Monotype, Linotype, Berthold, and ITC-created their own cuts of Garamond. Garamond experienced a revival in the early twentieth century, and now exists in a number of different digital revivals and adaptations. Here’s a comparison of Garamond with Baskerville, a transitional serif: The latter usually look more engineered and angular, and tend to have more vertical stress. Garamond is an old-style serif, meaning that its strokes and serifs have a slightly more organic, handwritten feeling than transitional or modern serifs. They’re named after the typeface, or (more accurately) a number of different typefaces based on the work of the 16th-century French engraver Claude Garamond (1510-1561). Back in December, we welcomed the Garamond Cohort to UX Academy!
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